In the final product, Kano tears something out of his opponent’s chest, but what that something is, is open to interpretation. “We didn’t have time to create a new fatality, or we wouldn’t have met the deadline for Mortal Monday,” Fink says. That posed a problem for Sculptured and Acclaim. “They came back to us like a half-hour later said, ‘Oh, by the way, we need you to take out Kano’s heart fatality,’” Fink says. Same animations, squeaky-clean results.Īfter uploading the latest build for Acclaim - which took forever to send over modem - Acclaim called Peters to report that Nintendo had rejected the game again. In the final version, Cage kicks his foot through his opponent’s chest and watches as they squirm at the end of his leg. Developers at Sculptured and Acclaim threw up their hands - Nintendo had only said no decapitations - but did what was expected and removed the gore. “It’s a good example of what a fatality was before it had to go through Nintendo’s sanitizing machine.” Rather than punching his opponent’s head off their shoulders, he kicks them through their chest hard enough to send blood, bones, and their liver-”that’s what some blobs looked like,” Peters says of the gore-exploding out of their backs. “It was more of an insult to the defeated player when you do that stupid backhand move and shatter them,” says Fink, who was annoyed at Nintendo’s insistence on watering down content.īefore Nintendo insisted on removing blood and sanitizing fatalities, the team at Sculptured had thought up a revised finisher for Johnny Cage that was arguably better than the one Midway had given him. To replace Sub-Zero’s iconic spine rip, the developers created a sequence where the ninja freezes opponents and shatters into chunks of ice. Instead of blasting his opponent’s head off with a bolt of lightning, Raiden pumps electricity into them until their skeleton disintegrates into a pile of ash with the skull resting on top. Fink and the team at Sculptured brainstormed ideas for new finishers. “They turned around to us and said, ‘Okay, no blood, and no decapitation,’” says James Fink, product tester at Acclaim.īanning decapitations meant new fatalities for Sub-Zero, Johnny Cage, and Raiden. Nintendo also established a guideline for fatalities.
Sculptured reworked the sweat so it sprayed into the air and then dissipated. Gray blood, jokingly called sweat by the developers, was deemed permissible so long as gobs of the stuff didn’t splatter over the ground the way it did in the arcade. It’s just gray sweat, or fairy dust, or whatever you want to call it.” “If you think about it,” says Holmes, “the blood is still there. “We’d say, ‘What if it’s sweat flying off? We’d just make the blood translucent.’ And Nintendo was like, ‘Oh. Is this blood toned down enough? No? Okay, is this toned down enough?”Īfter several rounds of back-and-forth, Peters gave Nintendo what they wanted. “As we got the game up and running, we would have to test the fence. What frustrated Peters was that Nintendo provided little guidance. Unsurprisingly, most approvals failed to meet Nintendo’s standards. Nintendo would get back to Acclaim, and Acclaim would pass their feedback to Peters, who shared it with the team. He would show the latest builds to managers at Acclaim, who sent them to Nintendo for approval.
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While Sculptured Software’s engineers translated the arcade version’s code to the Super Nintendo and their artists processed characters and arenas, Peters spent much of his time on the phone. “The blood and guts were so over the top that they were cartoonish,” says Peters.
While he understood Nintendo looking out for its family-friendly reputation, he thought MK’s violence wasn’t worth all the fuss.
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Jeff Peters was the project manager at Sculptured Software charged with leading a small team in converting the arcade game to the 16-bit console. “There were versions from Sculptured that had blood,” says Rob Holmes. Early on, however, the Super NES port looked markedly different. By release, blood had been changed to sweat, and tamer finishing moves had replaced their grisly arcade counterparts. Over the winter and spring of 1993, Sculptured Software and Acclaim struggled to meet Nintendo’s stringent demands for a sanitized version of Mortal Kombat on Super NES.
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